Transcription of the guitar solo in this excellent version of Spain I saw posted on reddit.com/r/jazz a few months ago. Solo begins around 1:48 and was last accessed July 16, 2018.
Full pdf here. Will update as errors get noticed.
Brain dump of thoughts, goals, hobbies, etc.
Transcription of the guitar solo in this excellent version of Spain I saw posted on reddit.com/r/jazz a few months ago. Solo begins around 1:48 and was last accessed July 16, 2018.
Full pdf here. Will update as errors get noticed.
Another transcription project I tried earlier in the summer. This is from Charlie Parker’s recording. I was hoping to also transcribe the trumpet and keyboard solos but never got around to it.
Transcription of a random riff I liked from The Cardigans’s cover of “Sabbath Bloody Sabbath” (2:12 – 2:27) from Emmerdale
Played over the changes (via loop pedal)
Transcribed to the best of my ability up to the piano solo:
Took a stab at recording the main groove to “Back Pocket” from Thrill of the Arts by Vulfpeck for ear training. Couldn’t quite nail the guitar part perfectly in time and I have no idea how to mix or master but I had a lot of fun learning the parts.
I was dreading trying to figure this out, but it turned out to be pretty easy. This riff is fun because it splits a melody on top + bass on the bottom at the same time. Figuring out a comfortable fingering was the only tough part.
Played on guitar (note: wimpy tone because it’s recorded via direct input):
For fun, I programmed an approximation of the drums into Guitar Pro and recorded the guitar and a bass guitar on top.
Decided to take another stab at this one. My previous attempted didn’t sound as smooth as the recording, so I changed some fingerings to allow the lick to be played much more legato.
So far, Spotify hasn’t been very useful for discovering new music (I’ll write a post about this, sometime). However, after a few months of trying the service out, it recommended a song that I couldn’t get out of my head–“The Ridge” by Raisinhill. I had to take it home and figure out what the guitar was doing in the intro:
The C♮ in there is really pretty and I like how it seems to melt into the next chord change (C♯ minor). Note to self, I wonder if it makes more sense to be calling it a B♯ here, since the notes in the key would be E F♯ G♯ A B C♯ D♯ and I see it as the raised fifth (B + a half-step). I need a music theory friend.
Stumbled upon a band from Japan called Special Others. Their music can probably be best described as instrumental post-rock, but with the feel of a jazz band. Their song “Ngoro Ngoro” caught my attention–it’s formatted much like a jazz tune where the band plays the head and then trades solos. I thought it would be a good exercise for me to transcribe the guitarist’s solo; here’s what I got so far:
Misc thoughts: